The Observer reviews a new collection (buy it here) of the reporting of Anna Politkovskaya (hat tip: reader “Robert”):
The bravery is endlessly invoked, the “fanatical courage” hymned with an almost religious fervour. Anna Politkovskaya, nearly four years after her murder, is not forgotten. She is one reporter whose words will long be “held in awe”, as Helena Kennedy says in her introduction. She is the voice of conscience faced with brutal inhumanity and the peril that goes with it. But this superb collection of the pieces she wrote for Novaya gazeta adds another dimension. It measures her as a journalist against other journalists round the world. It reveals a superb original technician.
How do you best write a print story these days? American academics, as usual, debate technique as though it were holy writ. Who, what, when, and where all in the first paragraph, a trail of relevance slowly diminishing towards a tedious close: that’s the way our newspaper forefathers who worked in lead type deemed best. Just give us the facts up top. And make sure we can cut lumps of type from the end if we need to. But does this matter in an era of digital setting where anything comes and goes at the press of a button?